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Conductor

Igor Markevitch

1912 — 1983

About

Igor Markevitch

Igor Borisovich Markevitch was an avant-garde Russian composer and eminent conductor of Ukrainian origin who studied and worked in Paris and became a naturalized Italian and French citizen in 1947 and 1982 respectively. He was commissioned in 1929 for a piano concerto by impresario Serge Diaghilev of the Ballet Russe de Monte Carlo.

Igor Markevitch: A Maestro's Legacy

Dive into the world of avant-garde composer and eminent conductor, Igor Borisovich Markevitch. Born in Kyiv, now Ukraine, Markevitch's study and work extended beyond borders, imbibing the cultural essence of Paris and later becoming a naturalized Italian and French citizen. His unique blend of nationalities and heritage, including descent from a Bosnian prince, added a rich texture to his artistry that left a significant imprint on twentieth-century classical music.

Notable Recordings and Interpretations

Markevitch's discography is extensive and highly regarded, particularly for his interpretations of Romantic and modern repertoire. His recordings include major orchestral works conducted by him, and performed by renowned orchestras like the Czech Philharmonic, Orchestre Lamoureux, and the Berliner Philharmoniker. Among these are classics such as Gounod's Messe solennelle de Sainte Cécile, Berlioz's The Damnation of Faust, and Schubert's Symphony No.4 "Tragic".

Contributions and Legacy

Markevitch was celebrated for his precision, orchestral color, sense of drama, and balance in interpretation. His performances ranged from Classical composers like Haydn and Schubert to the Romantic and twentieth-century French and Russian repertory, encompassing both mainstream works and lesser-known gems. As a conductor, he made his debut at 18 with the Concertgebouw Orchestra in Amsterdam, later becoming a champion of French, Russian, and modern music, and collaborating with major European orchestras throughout his career.

Composer and Performer

Initially, Markevitch’s reputation was built on his avant-garde compositions. His objective artistry was recognized early on and he was commissioned in 1929 to compose a piano concerto by the distinguished impresario, Serge Diaghilev of the Ballet Russe de Monte Carlo. However, by the 1940s, he largely ceased composing, focusing instead on conducting. A slow revival of his own works began in the 1970s, when he started conducting his music, thereby weaving unique musical narratives that continue to inspire generations of music enthusiasts.