Skip to content
Leonard Bernstein

Leonard Bernstein

Conductor, Composer, Piano

1918 — 1990
A musician of unparalleled versatility, Leonard Bernstein achieved worldwide renown in a career spanning nearly five decades as an inspiring conductor and teacher, a wide-ranging composer and author, and a gifted pianist. Born in Massachusetts in 1918, Bernstein grew up in Boston. After graduating from Harvard University, he continued his studies at the Curtis Institute in Philadelphia with Fritz Reiner, Randall Thompson, and Isabelle Vengerova and his summers were spent at Tanglewood, as a student and assistant to Serge Koussevitzky. His big break came in 1943, with his remarkable, now historic, debut with the New York Philharmonic, replacing Bruno Walter in a concert that was broadcast nationally. He later became their Music Director, the first American-born to hold the post. In the years following, Bernstein served as Music Director of the New York City Symphony, was head of the conducting faculty at the Berkshire Music Center at Tanglewood, and Professor of Music at Brandeis University. Having established an international career with major orchestras and opera companies all over the world, he forged especially close associations with the Israel Philharmonic, London Symphony, and Vienna Philharmonic Orchestras. Bernstein also conducted at the Metropolitan Opera, La Scala (as the first American conductor ever to appear there), and the Vienna State Opera. Bernstein’s wide repertoire centred on the Romantic period but ranged from the Classical era to his own time. He championed contemporary American composers, conducting many of their premieres and was well known as an exponent of Sibelius, Nielsen, Shostakovich and, above all, Mahler, who he helped to establish as a major figure. His performances were never routine and often revelatory, with programmes frequently including piano concertos that he directed from the keyboard. As a composer, he created a body of works extraordinarily diverse in form and style, including symphonies, pieces for orchestra and chorus, ballets, film scores and operas. He had a natural grasp of the idioms of popular music and jazz, allowing him, as it had Gershwin, to move freely between the concert hall and the musical theatre. His Mass: A Theatre Piece for Singers, Players, and Dancers opened the Kennedy Center in Washington, D.C., and became the first work by an American-born composer to be produced at the Vienna State Opera. Many of Bernstein’s best known concert works are drawn from his stage music, but his mastery of orchestration remains evident in works such as the Divertimento for the Boston Symphony Orchestra and the Concerto for Orchestra for the Israel Philharmonic. Some of Bernstein’s most successful concert pieces include voices and his finest work in concerto format is the Serenade for violin and chamber orchestra. Bernstein received the Lifetime Achievement Grammy Award, won 11 Emmy Awards, and his Young People’s Concerts with the New York Philharmonic, extending over 14 seasons, helped to create and nurture an entire generation of American concertgoers. His writings on music have been published in numerous languages and he conducted many of his own compositions for Deutsche Grammophon. Other recordings include performances with the Vienna, New York, and Israel Philharmonic, and the Concertgebouw and Bavarian Radio orchestras, playing symphonies, complete concert cycles, ballets, and operas.

Conductor, Composer, Pianist

1918 – 1990 Leonard Bernstein was born in 1918 in Massachusetts. As a child, he learned to play the piano, spent his youth in Boston, attended the Latin School, and was then taught by Heinrich Gebhard and Helen Coates at the instrument at Harvard University. After graduating in 1939, encouraged by Dimitri Mitropoulos, he continued his music studies at the Curtis Institute of Music in Philadelphia, studying conducting under Fritz Reiner and piano under Isabella Vengerova. During the summers, Bernstein was a student and assistant to Serge Koussevitzky in Tanglewood, the rural festival venue of the Boston Symphony Orchestra. Bernstein's breakthrough as a conductor came on November 14, 1943, when he had to step in at short notice for the suddenly ill Bruno Walter, taking over the baton for a nationwide radio-broadcast concert. At the time, he was just 25 years old and was henceforth regarded as a great hope in the field. In 1945, he became the chief conductor of the New York City Symphony Orchestra. In 1951, he took over the conducting class at the Berkshire Music Center in Tanglewood and a lectureship at Brandeis University. During these years, Bernstein also regularly appeared at the podium of the New York Philharmonic and the Israel Philharmonic Orchestra and was engaged as a guest conductor by many major orchestras in America and Europe. In 1958, the New York Philharmonic appointed him as their music director. At the age of forty, Bernstein became the first American-born and trained musician to be called to one of the top positions in North American musical life. Over the course of a twelve-year successful collaboration, Bernstein conducted more performances with the orchestra than any of his predecessors. His Mahler interpretations contributed significantly to the recognition of the composer in the second half of the 20th century. During these years, Bernstein also gained attention as a guest conductor at the New York Metropolitan Opera, La Scala in Milan (as the first American), and as an opera conductor at the Vienna State Opera.

Bernstein’s Musical Legacy: Broadway Successes and Symphonic Masterpieces

Leonard Bernstein was not only a celebrated conductor but also a versatile composer, whose works ranged from Broadway musicals to symphonic compositions. His musical West Side Story (1957) became a global success, revolutionizing musical theater by blending jazz, Latin American rhythms, and classical music. Other well-known musicals such as On the Town (1944) and Candide (1956) cemented his reputation as an innovative composer. Bernstein’s work as a composer spanned various genres and styles. "Mass" was premiered in Washington in 1971 for the opening of the Kennedy Center, and in 1981, it became the first stage composition by an American composer to be performed at the Vienna State Opera. His symphonic works, including Symphony No. 1, Jeremiah (1942), Symphony No. 2, The Age of Anxiety (1949), and Symphony No. 3, Kaddish (1963), address profound religious and social questions. These works reflect Bernstein’s ability to blend musical genres and explore new paths. His ballet Fancy Free (1944) marked the beginning of his successful collaboration with Jerome Robbins and brought fresh energy to the American dance scene.

Teacher, Humanist, and the Legacy of a Legend

Bernstein’s music writings serve as a rich source of information for music enthusiasts of all ages, and his "Young People's Concerts" series with the New York Philharmonic, which won ten Emmy Awards, aired for 14 years. Leonard Bernstein’s discography is more extensive than that of most musicians of the 20th century. His interpretations of the symphonic cycles of Mahler, Beethoven, and Brahms are among the outstanding achievements in a series of recordings for Deutsche Grammophon and CBS, covering almost all significant works of the classical-romantic orchestral repertoire. For this achievement, Bernstein was awarded the Lifetime Achievement Grammy Award by the National Academy of Recording Arts and Sciences in the USA in February 1985. That same year, he signed an exclusive contract with Deutsche Grammophon. Bernstein was deeply committed to music education. With the Young People's Concerts, he introduced generations to classical music. His humanitarian engagement, such as the performance of Beethoven’s Ninth Symphony following the fall of the Berlin Wall in 1989, demonstrated his deep commitment to unity and peace. Leonard Bernstein passed away on October 14, 1990, in New York. However, his legacy continues in many ways. His approach to music was both analytical and intuitive. He aimed to make sound tangible, both for himself and for the audiences who followed him. This, in turn, required him to understand a composer as a person whose individual struggles were reflected in their music. Bernstein’s art thus consisted not only of conducting and composing but also of conveying his ideas to a broad audience.