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Claudio Abbado

Claudio Abbado

Conductor

1933 — 2014
Claudio Abbado will be remembered not only as one of the outstanding conductors of his era, but as a man whose tireless work and communicative gifts, in encouraging musicians, founding orchestras, and establishing festivals, had a far-reaching impact on cultural life. His extraordinary legacy bears witness to his personal development as a musician, his enthusiasm for such composers as Mahler, Debussy, Verdi, Mussorgsk, and Schubert, his championing of contemporary works, and his achievements with the institutions that shaped his career: the Teatro alla Scala in Milan, the London Symphony Orchestra, the Wiener Philharmoniker and Berliner Philharmoniker. Born into a musical and artistic family in Milan in 1933, he studied piano, composition, and conducting at the Giuseppe Verdi Conservatory and went on to Vienna to follow a postgraduate course in conducting under Hans Swarowsky in the mid–1950s. He won the Boston Symphony Orchestra's Koussevitzky Prize in 1958, and made his debut at La Scala, Milan, two years later, conducting music by Scarlatti at the Piccola Scala. After winning the Mitropoulos Prize in 1963, he worked with the New York Philharmonic as the assistant to Leonard Bernstein, before being invited by Herbert von Karajan to conduct Mahler's Second Symphony with the Wiener Philharmoniker for the first time at the Salzburg Festival in 1965. In the same year, he directed the world premiere of Giacomo Manzoni's Atomtod in Milan, and in the following season, he conducted his first opera in the Scala main season, Bellini's I Capuleti e i Montecchi, with Pavarotti and Scotto. After conducting the opening nights of the next two seasons, he was appointed the theatre's musical director at only 35. In 1967, Abbado made his first recording for Deutsche Grammophon with a benchmark reading of Ravel's G Major piano concerto and Prokofiev's Third with Martha Argerich and the Berliner Philharmoniker. The beginning of his association with the London Symphony Orchestra, for which he was the Music Director from 1979 to 1987, led to many of his subsequent recordings with the yellow label. In time, Abbado amassed a huge discography on DG, including the entire symphonic works of Beethoven, Brahms, Mahler, and Schubert, and more than 20 complete operas. Devoting much time to nurturing young talent, he founded and led the European Union Youth Orchestra, which developed into the Chamber Orchestra of Europe in 1981, and with them he conducted recordings of Rossini's Il viaggio a Reims and Schubert's complete symphonies, which both won Gramophone's Record of the Year. He moved to Vienna to take up the post of Artistic Director of the Staatsoper in 1986 and was made the city's general music director the following year. He went on to establish the Wien Modern festival and at the end of 1989, amid the turmoil and optimism of the fall of the Berlin Wall, he was elected by the players of the Berliner Philharmoniker to succeed Karajan as the orchestra's artistic director. Again, his appointment led to the establishment of new initiatives and concert seasons based on specific themes. He continued to conduct opera, both in concert and in the theatre, with appearances in London, Vienna and Ferrara, where he conducted a host of operas in the 1990s. After leaving Berlin, Abbado continued to work with the Chamber Orchestra of Europe and Mahler Chamber Orchestra, before founding the Lucerne Festival Orchestra in 2003 and the Orchestra Mozart in Bologna in 2004. Abbado passed away in Bologna, Italy, in 2014.

Conductor

1933 – 2014 Claudio Abbado is remembered as one of the most outstanding conductors of his time. His extraordinary ability to delve into the essence of music and reveal its secrets with impressive clarity defined his artistic achievements. Moreover, his contributions to fostering musicians, founding orchestras, and establishing festivals had a profound impact on the cultural landscape as a whole.

The Beginnings of His Musical Career

Born in 1933 into a family passionate about music and the arts in Milan, Claudio Abbado studied piano, composition and conducting at the “Giuseppe Verdi” Conservatory in his hometown. After completing his studies in the mid-1950s, he moved to Vienna to continue his conducting studies with Hans Swarowsky. In 1958, he won the Koussevitzky Prize of the Boston Symphony Orchestra. Two years later, he debuted at La Scala in Milan, conducting Scarlatti at the Piccola Scala.

Conductor of World-Renowned Orchestras

In 1963, Abbado won the Mitropoulos Prize and worked as an assistant to Leonard Bernstein with the New York Philharmonic for several months. Herbert von Karajan invited him to conduct the Vienna Philharmonic at the Salzburg Festival in 1965, where he performed Mahler’s Symphony No. 2. That same year, Abbado conducted the premiere of Giacomo Manzoni’s “Atomtod” at the Piccola Scala. The following season, he directed his first opera at La Scala’s main stage: Bellini’s I Capuleti e i Montecchi, featuring Pavarotti and Scotto. After leading the opening performances of the next two seasons, he became the music director of La Scala in 1968 at just 35 years old. Following his tenure (1979–1986) as music director of the London Symphony Orchestra, Abbado became the artistic director of the Vienna State Opera in 1986. The following year, he was named General Music Director of the City of Vienna, where he later founded the “Wien Modern” festival, initially dedicated to contemporary music but now encompassing all art forms. Amid the dramatic changes surrounding the fall of the Berlin Wall, Abbado was elected by the musicians of the Berlin Philharmonic in late 1989 as the orchestra’s permanent conductor and artistic director, succeeding Herbert von Karajan. After leaving Berlin, Abbado continued his work with the Chamber Orchestra of Europe and the Mahler Chamber Orchestra. In 2003, he founded the Lucerne Festival Orchestra, his “hand-picked” ensemble of leading international musicians, and in 2004, the Orchestra Mozart in Bologna.

Early Recordings for Deutsche Grammophon

In 1967, Abbado made his first recording for Deutsche Grammophon: a still highly regarded interpretation of Ravel’s Piano Concerto in G Major and Prokofiev’s Piano Concerto No. 3 with Martha Argerich and the Berlin Philharmonic. Over the years, he conducted an impressive array of recordings for Deutsche Grammophon, including the complete symphonies of Beethoven, Brahms, Mahler and Schubert, as well as more than 20 complete operas.

Abbado as a Supporter of Young Musicians

Abbado was deeply committed to nurturing young talent. He founded and directed the European Union Youth Orchestra, which became the Chamber Orchestra of Europe in 1981. With this ensemble, he recorded Rossini’s “Il viaggio a Reims” and all of Schubert’s symphonies, both of which were named “Recording of the Year” by Gramophone in 1986 and 1988, respectively.

Abbado's Final Concert: An Emotional Farewell to the Stage

Claudio Abbado’s final concert remains an unforgettable moment in music history. In May 2013, he conducted a powerful and moving performance with the Berlin Philharmonic. This last appearance was not only a highlight of his career but also a touching expression of gratitude and recognition for his extraordinary artistry. Shortly after, on January 20, 2014, Abbado passed away at the age of 80 in Bologna, Italy. His death left a void in the world of classical music, but his legendary performances and immense passion for music continue to live on.

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