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ヨハン・シュトラウス2世

ヨハン・シュトラウス2世

作曲

1825 — 1899
1825年、ウィーン郊外で生まれる。ワルツの作曲家だった父ヨハンの影響で、音楽家を志す。父親は、宮廷舞踏会音楽監督までにのぼり詰めたが、息子が同じ道を歩むことを嫌い、妨害を試みた。 1848年に革命が起こった際、「革命行進曲」や「自由の歌」などを作曲し、運動の先頭に立った。この時点で、父と息子の人気は逆転するまでになったという。 父が没すると、ヨハン2世は父の楽団を自分の楽団に吸収した。ヨーロッパ、ロシア、アメリカなどに演奏旅行を行い、弟のヨーゼフとエドゥアルドも作曲家としてデビューさせた。自身の楽団のために、ポルカ、マーチ、そしてワルツなど、総計400以上の作品を作曲。《美しき青きドナウ》(1866年)、《ウィーンの森の物語》(1868年)、《雷鳴と雷光》(1868年) など、情景描写と豊かなメロディーを兼ね備え、その技術はワーグナーやブラームスも評価している。 1871以降年には、オペレッタの作曲にも取り組む。《こうもり》(1874年) と《ジプシー男爵》(1885年) は重要なレパートリーとなり、今日でも頻繁に上演されるが、他のオペレッタは演目から消えている。 死の直前には、ウィーン宮廷歌劇場監督だったマーラーから作品を委嘱されるが、完成することはなかった。1899年に、肺炎をこじらせて没。

Composer

1825 – 1899 Often referred to as the “Waltz King,” Johann Strauss II could have inherited this title from his father of the same name (1804–1849). However, after breaking ties with his family, the elder Strauss left his son to forge his own musical path. Before turning 20, Johann Strauss II had already formed his own dance orchestra. In the revolutionary year of 1848, he sympathised with the insurgents, quickly rising in popularity and soon surpassing his father’s fame. Over the next 50 years, he led Vienna’s most successful dance orchestra, achieving international recognition. Conducting from the violin, he toured extensively across Europe, Russia, and the United States, often accompanied by his brothers Josef (1827–1870) and Eduard (1835–1916).

From Vienna’s Dance Halls to Operetta Composer

Johann Strauss II was born in Vienna on 25 October 1825. He displayed musical talent from an early age, but his father, the renowned Johann Strauss I, was determined to prevent him from pursuing a career in music and insisted he train for a profession in finance. Despite this, Strauss secretly took violin lessons and studied music theory and composition. It was only after his father’s death in 1849 that he was able to fully devote himself to music. Over the years, he composed more than 400 works for his ensemble, including polkas, quadrilles, marches, and, above all, waltzes, to which he brought an unparalleled depth of expression. Waltzes such as Frühlingsstimmen (1883), Kaiser-Walzer (1889), Geschichten aus dem Wienerwald (1868), and The Blue Danube(1866/67 – sometimes considered Austria’s unofficial national anthem) exhibit a poetic, instrumental tone painting combined with irresistible melodic invention. These qualities earned admiration from both Wagner and Brahms.

Strauss’s rise to Vienna’s premier dance orchestra conductor was swift. Following early successes, he was officially appointed director of the Imperial Court Ball Music in 1863, cementing his status among the Viennese elite. His music reflected the elegance, splendour, and light-heartedness of imperial Vienna, becoming synonymous with the city’s rich waltz tradition. His distinctive triple-time compositions captivated not only Viennese audiences but also listeners across Europe and beyond.

His concert tours took him to Russia, where he embarked on a three-month tour in Pavlovsk near St. Petersburg between 1865 and 1866. During this period, he composed several new works, including the famous waltz The Blue Danube, which was premiered in Vienna soon after. The popularity of this waltz continued to grow, eventually becoming one of the most recognised pieces of music worldwide.

Though not all of Strauss’s stage works enjoyed equal success, Die Fledermaus (1874) and Der Zigeunerbaron (1885) remain among the most frequently performed and beloved operettas of all time. Strauss embodied Viennese culture at its 19th-century zenith, and his finest music continues to be celebrated across all musical genres.

Beyond dance music, Strauss increasingly turned to operetta. His masterpiece Die Fledermaus set new standards for the genre and remains one of the most frequently performed operettas worldwide. Known for its sparkling melodies, infectious rhythms, and witty humour, it cemented Strauss’s reputation. With works such as A Night in Venice (1883), he further solidified his position as a leading composer of the golden era of operetta.

Later Years and Musical Legacy

Despite his fame, Johann Strauss II’s life was not without personal and professional challenges. He was married three times, beginning with singer Jetty Treffz, who supported him both personally and in his career. After her death, he wed Angelika Dittrich, but the marriage was unhappy and ended in divorce. His third wife, Adele Strauss, remained by his side until his death and played a crucial role in preserving his musical legacy.

Strauss faced health problems in his later years but continued to compose tirelessly. His final operetta, Die Göttin der Vernunft (1897), failed to replicate his earlier successes. He passed away on 3 June 1899 in Vienna due to pneumonia and was laid to rest in an honorary grave at Vienna’s Central Cemetery.

His musical legacy remains unparalleled. The works of Johann Strauss II continue to be performed regularly, particularly during the famous Vienna Philharmonic New Year’s Concerts, which provide a global platform for his waltzes and polkas. He created music that captured the joy and elegance of an era and continues to enchant audiences worldwide to this day